“True Conviction” is powerful, devastating and remarkable. It’s a film about the true injustices in our judicial system and the lack of compassion that we have for one another that continues to permeate this reality. However, in the face of all of this wrongdoing, Johnnie Lindsey, Christopher Scott, and Steven Phillips find joy in the lives that they have been able to reclaim. Things aren’t picture perfect or even where they might have been had they not been wrongfully convicted. And yet, they choose to thrive and extend their hands to others who have lost all hope.
-Shadow and Act
An associate professor of documentary filmmaking in Stanford University’s Art & Art History Department, Meltzer is the first Bay Area filmmaker to become a DocFest Vanguard Award honoree. True Conviction is his thoughtful, urgent portrait of three ex-prisoners — Scott, Johnnie Lindsey and Steven Phillips (collectively the three men served 60 years for crimes they did not commit) — who banded together to form an ad hoc nonprofit detective agency to investigate the cases of other prisoners, like Hill, who may have been unjustly imprisoned.
-San Francisco Chronicle
An absorbing puzzle with the potential to intrigue viewers all along the political spectrum.
A kind of “Fog of War” for the age of Occupy.
Mesmerizing and Timely! Informant is riveting as it slowly assembles a damning profile of its subject.
Smartly gives all sides of the story their chance to speak, creating an almost Rashomon-like viewing experience where we're encouraged to decide the truth on our own.
Roger Corman would swoon at the DIY antics employed by Nigerian moviemakers, like shooting chase scenes dangling from car bonnets and hiring former guerrillas as extras.Churning out nearly 2,500 straight-to-video releases a year, they’ve made the West African nation the world’s third-largest movie market after the U.S. and India. Director Jamie Meltzer (Off the Charts) paints an astounding backdrop— cardboard plots, three-day shoots, failing generators—then follows “Mr. Prolific,” Chico Ejiro (who wrapped 80 films in a five-year period), as he mounts his most daring production to date, a re-creation of Liberian civil war that threatens to bankrupt him.